Ekowisata Subak Sembung

Located on Jl. Ahmad Yani in Peguyangan Village, North Denpasar, Subak Sembung Ecotourism is a hidden gem in Bali that offers more than just a typical tourist attraction. Surrounded by lush greenery and rice paddies, this ecotourism destination provides visitors with a unique opportunity to refresh their body and mind through exercise while enjoying the beauty of nature.

Subak Sembung Ecotourism is an ideal destination for those who want to escape from the hustle and bustle of the city and indulge in a peaceful and serene atmosphere. The ecotourism site features a 2-kilometer long trekking trail that winds its way through rice fields and coconut plantations. Visitors can take a leisurely stroll or challenge themselves with a more intense hike that involves uphill climbs and steep descents.

For those who prefer a more exciting workout, Subak Sembung Ecotourism also offers mountain bike rentals. Visitors can explore the surroundings, with trails ranging from easy to challenging, depending on the skill level of the rider. The combination of the natural scenery and physical activity makes for an unforgettable experience.

One of the highlights of Subak Sembung Ecotourism is the Subak Sembung suspension bridge, which spans the beautiful Saba River. The bridge provides a breathtaking view of the river and the lush greenery surrounding it. The bridge also offers a unique experience for visitors, as they can feel the sway of the bridge under their feet as they cross over it.

Subak Sembung Ecotourism is not just a place for exercise and nature appreciation. The destination also offers visitors a glimpse into the traditional Balinese irrigation system known as "Subak." Visitors can witness the process of rice cultivation and learn about the traditional practices of the Balinese people.

In conclusion, Subak Sembung Ecotourism is a must-visit destination for those who love nature, physical activity, and learning about traditional cultures. The combination of a beautiful natural environment, physical activity, and cultural learning makes Subak Sembung Ecotourism a perfect place for anyone who wants to refresh their mind and body. So, whether you're a solo traveler, a group of friends, or a family, Subak Sembung Ecotourism is a perfect destination that has something for everyone.

Great Jro Kuta Palace

Puri Agung Jro Kuta was founded by Dewa Gede Jambe Badung, approximately in the year 1820 AD. After the Abiseka ceremony as the pejejengan (spiritual leader) of the palace, he was given the title Kyai Agung Gede Jro Kuta Kahunin.

The royal family of Puri Agung Jro Kuta is a direct descendant of Puri Klungkung, specifically Dewa Agung Kusamba, who was the King of Klungkung.

In terms of history, especially in the pitra yadnya ceremony and pengabenan (cremation ceremony) at Puri Agung Jro Kuta, the Naga Banda tool is used. Naga Banda is used because it is a direct descendant of the King of Klungkung (Satria Dalem) who has undergone the Mabiseka Ratyu (coronation) ceremony, which means ascending the throne as the king.

Until today, the layout or zoning of Puri Agung Jro Kuta is still arranged as it was in the past. Upon entering the courtyard of Puri Agung Jro Kuta, there are four kori agung (grand gates). In the terminology of the ancient kingdom, these are referred to as Nyatur Singa, which signifies four different locations within one area.

The first courtyard is Jaba Ancak Saji, located in the southwest of the palace, which is usually used for preparations before entering the palace. It is followed by Jaba Tengah, Jaba Tandeg, Saren Agung (the king's living room), Suci, and the last one is Merajan Agung, which serves as a place of worship for the Supreme God.

As a historical note, Puri Agung Jro Kuta is the custodian of Pura Luhur Uluwatu, one of the Sad Kahyangan temples in Bali, located in the village of Pecatu, Badung Regency.

Another aspect of Puri Agung Jro Kuta is the tradition of weaving. This craft is still preserved at Puri Agung Jro Kuta. Although the production is far behind that of industrial textile machines and modern techniques, this traditional heritage is still upheld. Traditional woven fabrics for yadnya ceremonies are still highly sought after by the community.

Preserving local culture and wisdom is the characteristic of Puri Agung Jro Kuta. The artisans still use traditional wooden weaving tools that are decades old.

The strength of culture and the commitment to preserving traditions are important efforts in conserving the diversity of the Island of the Gods. The existence of Puri Agung Jro Kuta as one of the central points of the ancient kingdom should be continuously preserved.

Estuary Dam Tukad Badung

The Estuary Dam Badung River is a multipurpose dam situated at the mouth of the Badung River in Bali, Indonesia. The dam is designed to regulate the flow of river water and prevent flooding during heavy rains. It also serves as a popular spot for fishing, picnicking, and sightseeing, offering breathtaking views of the river and surrounding mountains.

The Badung River is one of the longest and most important rivers in Bali. The river flows from the central mountains of Bali and empties into the Bali Sea near the city of Denpasar. Due to its location and terrain, the Badung River is prone to flooding during the rainy season, which can cause significant damage to nearby communities, agricultural lands, and infrastructure.

To mitigate these risks, the Estuary Dam Badung River was constructed in 1978. The dam is designed to regulate the flow of water by releasing or retaining water as needed, depending on the weather conditions and the river's water level. By regulating the water flow, the dam prevents flooding downstream and ensures that the river's water is used efficiently for irrigation and other purposes.

Apart from its primary function of controlling flooding, the Estuary Dam Badung River is also a popular spot for fishing and recreational activities. The dam's calm waters attract fish such as tilapia, catfish, and carp, making it an ideal spot for fishing enthusiasts. The dam's surroundings are also perfect for picnicking and relaxing, with plenty of open space, benches, and shaded areas.

One of the most striking features of the Estuary Dam Badung River is its breathtaking views. The dam's location at the mouth of the river offers visitors a unique perspective of the river and the surrounding mountains. Visitors can enjoy panoramic views of the river, the sea, and the lush green hills while soaking in the fresh air and the soothing sounds of the water.

In recent years, the Estuary Dam Badung River has become a popular tourist attraction in Bali. The dam's picturesque location and diverse offerings make it an ideal destination for nature lovers, fishing enthusiasts, and families looking for a day out. Visitors can rent fishing equipment, enjoy local snacks and drinks, or simply relax and take in the beautiful scenery.

In conclusion, the Estuary Dam Badung River is a valuable infrastructure project that serves an essential function in controlling flooding and ensuring the efficient use of the Badung River's water resources. The dam's location and facilities also make it an attractive destination for tourists and locals alike, offering a unique blend of natural beauty, recreation, and relaxation.

Taman Budaya (Art Center)

Bali Art Center Denpasar, also known as Taman Budaya Bali, is a complex dedicated to the preservation and development of Balinese culture and the center for arts in Bali. It was initiated by the first governor, Ida Bagus Mantra, who was deeply concerned about cultural values.

Bali Art Center Denpasar, also known as Taman Budaya Bali, is a complex dedicated to the preservation and development of Balinese culture and the center for arts in Bali. It was initiated by the first governor, Ida Bagus Mantra, who was deeply concerned about cultural values.

The complex of Bali Art Center Denpasar covers an area of approximately 5 hectares. With traditional Balinese architecture, the buildings here are sturdy and beautiful. The well-maintained gardens and an adjacent river add to the charm of the park.

The buildings within the Bali Art Center Denpasar are divided into several sections. The sacred complex includes Pura Taman Beji, Bale Selonding, Bale Pepaosan, and others. Then there is a tranquil complex, which includes the Widya Kusuma Library, a place that houses books about Balinese history.

The semi-crowded complex comprises the Sculpture Studio, Mahudara Exhibition Hall, Kriya Building, Art House, and Wantilan, which are exhibition venues for Balinese art. Lastly, the lively complex includes the open-air stage Ardha Candra and the covered stage Ksirarnawa, both located south of the river.

One of the annual events regularly held at the Bali Art Center Denpasar is the Bali Arts Festival, or Pesta Kesenian Bali (PKB). It usually takes place in mid-June to July, coinciding with school holidays. So, you can make use of your vacation time to enjoy the excitement of the Bali Arts Festival.

During the PKB event, there are various art performances held every day. You can witness a variety of performances such as Joged Bungbung, Tari Bondres, new creations, wayang (shadow puppetry), gamelan music, and much more, depending on the artistic representatives from each district in Bali. Not only from Bali, but there are also representatives from other regions and even foreign countries.

In addition to the art performances, there are various art exhibitions showcasing sculptures, paintings, batik fabrics, gold and silver crafts, as well as various local crafts and wisdom at affordable and reasonable prices.

You can experience a variety of excitement at the Bali Art Center. For those who want to enjoy the various arts, there is no admission fee.

If you're interested in visiting the Bali Art Center Denpasar, you can go directly to its location on Jalan Nusa Indah, Denpasar, Bali, right in the center of the city. It is easily accessible from the Kuta, Sanur, and Tanjung Benoa areas. If you're coming from Ngurah Rai Airport, the journey will take approximately 45 minutes to 1 hour.

Bindu River (Tukad Bindu)

Bindu river is a serene river located amidst lush greenery, offering visitors a unique opportunity to escape the hustle and bustle of everyday life and enjoy a peaceful and tranquil environment. This picturesque location is a perfect destination for families and nature lovers who seek a break from the chaos of urban life.

One of the main attractions of Bindu river is its natural beauty. The river is surrounded by green hills, and the water is crystal clear, making it an ideal spot for fishing or swimming. Visitors can enjoy a leisurely walk along the riverbank, breathe in the fresh air, and take in the stunning views. Cycling is also a popular activity in Bindu, with several bike rental services available in the area.

For those who prefer a more laid-back experience, picnicking is an excellent option. The area has several picnic spots, with designated areas for barbequing and ample space for outdoor games. With its calm and peaceful atmosphere, Bindu river is an ideal location for a family day out or a romantic picnic with your loved one.

Bindu river is also home to a variety of flora and fauna. Birdwatchers can spot several species of birds, including kingfishers, storks, and eagles. Monkeys and other primates are also commonly seen in the area. Visitors can hire a local guide to take them on a nature walk and learn more about the local flora and fauna.

Overall, Bindu river is an excellent destination for those seeking a peaceful and serene environment away from the chaos of city life. Whether you want to cycle, walk, picnic, or simply relax and take in the stunning views, Bindu has something for everyone. So why not plan a visit to this beautiful location and experience the tranquility of nature?

Pura Dalem Cemara

The background of the establishment of Pura Dalem Cemara cannot be found in written sources, but the stories of the local community as caretakers and supporters of the temple can be used as one of the narratives to recount the existence of this temple. pangempon dan penyungsung pura dapat digunakan sebagai salah satu narasi dalam menceritakan keberadaan pura ini.

According to the temple's caretaker, Jero Mangku Made Sukanadia, in the past, the attacking community consisted of fishermen who crossed the bay around Tanjung Benoa. They came from various places such as Pamogan, Suwung, Kepaon, Kelan, Pago, Panjer, Dukuh, Pedungan, Intaran, Cemenggon, and Batusasih (Batubulan). pemangku pura, Jero Mangku Made Sukanadia dahulu masyarakat serangan merupakan nelayan-nelayan yang melintasi teluk di sekitaran Tanjung Benoa. Mereka datang dari, misalnya, sekitar Pamogan, Suwung, Kepaon, Kelan, Pago, Panjer, Dukuh, Pedungan, Intaran, Cemenggon, Batusasih (Batubulan).

Structurally, Pura Dalem Cemara faces west and is divided into three courtyards. These are the inner courtyard (utama mandala/jeroan), middle courtyard (madya mandala), and outer courtyard (nista mandala/jabaan).utama mandala/jeroan), halaman tengah (madya mandala), dan halaman luar (nista mandala/jabaan).

The inner and middle courtyards are enclosed by surrounding walls made of limestone or known as "paras tombong." The outer courtyard is connected to the middle courtyard through a split gate known as "paduraksa" in the form of a split temple gate (candi bentar). The middle courtyard is connected to the inner courtyard through a paduraksa in the form of a curved temple gate (candi kurung or kori agung). paras tombong, halaman luar dengan halaman tengah dihubungkan dengan paduraksa berupa candi bentar, sedangkan halaman tengah dengan halaman dalam dihubungkan dengan paduraksa berupa candi kurung (kori agung).

The inner courtyard (utama mandala/jeroan) houses buildings and statues such as Candi Prasada as Gedong Ratu Agung, Palinggih Tajuk, Gedong Bhatara Dalem Kahyangan, Gedong Bhatara Lamun, Piyasan, Gedong Bahatara Ratu Pemade, Bale Papelik, Gedong Bahatara Ratu Singosari, Palinggih Batur, Meru Bhatara Ratu Pasek, Tugu Kepah Kembar, Gedong Bhatara Ratu Hyang Gelar, Bale Pengaruman, Linggih Ratu Ayu, Palinggih Hyang Ibu, Gedong Bhatara Ratu Apuan, and Palinggih Ratu Sawo.utama mandala/jeroan) di dalamnya berdiri bangunan maupun arca  seperti Candi Prasada sebagai Gedong Ratu Agung, Palinggih Tajuk, Gedong Bhatara Dalem Kahyangan, Gedong Bhatara Lamun, Piyasan, Gedong Bahatara Ratu Pemade, Bale Papelik, Gedong Bahatara Ratu Singosari, Palinggih Batur, Meru Bhatara Ratu Pasek, Tugu Kepah Kembar, Gedong Bhatara Ratu Hyang Gelar, Bale Pengaruman, Linggih Ratu Ayu, Palinggih Hyang Ibu, Gedong Bhatara Ratu Apuanwhen Palinggih Ratu Sawo.

In the middle courtyard (madya mandala), there are also buildings such as Palinggih Arca Prakangge, Bale Kulkul, Bale Gong, Perantenan, and Palinggih Arca Taman. The outer courtyard (nista mandala/jabaan) on the west side consists of a road without surrounding walls.madya mandala) terdapat juga bangunan seperti Palinggih Arca Prakangge, Bale Kulkul, Bale Gong, Perantenanwhen Palinggih Arca Taman. Halaman luar (nista mandala/jabaan) yang berada di sisi barat merupakan jalan, tanpa dikelilingi tembok.

Pura Dalem Cemara is part of the "pura kahyangan tiga" or the temples of the three kahyangan, which are connected by a unified territory and were previously known as Pura Desa, Puseh, and Dalem. Currently, this temple is part of the pura kahyangan tiga as the abode of Lord Vishnu, the preserver deity. This is further strengthened by the presence of Pura Segara on the north side of Pura Dalem Cemara, which shares the same water symbol as the manifestation of Lord Vishnu. The piodalan ceremony in Pura Dalem Cemara is held every 210 days, specifically on Buda (Wednesday) Kliwon, Wuku Sinta (Pagerwesi day). kahyangan tiga atau pemujanya terikat oleh kesatuan wilayah dan dulu sebagai Pura Desa, Puseh, Dalem. Sekarang, pura ini merupakan bagian dari pura kahyangan tiga sebagai bersthananya Dewa Wisnu, dewa pemelihara. Hal ini diperkuat dengan adanya Pura Segara di sisi utara Pura Dalem Cemara yang memiliki simbol air sama dengan manifestasi Dewa Wisnu. Upacara piodalan di Pura Dalem Cemara dilaksanakan setiap 210 hari, yaitu pada hari Buda (Rabu) Kliwon, Wuku Sinta (hari raya Pagerwesi).

Kertalangu Cultural Village

Kertalangu Cultural Village is a cultural village located in Denpasar, Indonesia. It is situated in the eastern part of Denpasar, Bali Province. The village is one of the cultural tourism icons in Bali and attracts a significant number of domestic and international tourists. Its location on the main road of Denpasar, specifically on the By Pass Ngurah Rai, makes it easily accessible. Upon entering Kertalangu Cultural Village, tourists are welcomed by the natural and lush green scenery of rice fields and fertile green gardens.The uniqueness of Kertalangu Cultural Village lies in the presence of a World Peace Monument within the village. The monument was created by independent nations that strongly support peace in the world. It also features nine symbols of religions from around the world.

The establishment of Kertalangu Cultural Village was driven by the idea of a Balinese community desiring a village that embodies peace, culture, and green spaces. It is the first village to incorporate these three concepts. The village's distinctive features, encompassing these three concepts, attract many tourists who come to witness the symbol of world peace in Denpasar, Indonesia. Additionally, visitors can enjoy art performances and savor traditional Balinese cuisine in the surrounding area of Kertalangu Village. The cultural performances commonly held in the village include Kecak Dance, Barong Dance, and Joged Bumbung Dance. Tourists can also find a variety of Balinese handicrafts during their visit.

Denpasar, Indonesia offers various tourist attractions, making it a city with a thriving tourism industry. Apart from Kertalangu Cultural Village, both domestic and international tourists can explore other cultural sites that offer fascinating cultural experiences. The Indonesia Travel website provides a range of tourist destinations for travelers to choose from when planning their vacation.

Kawasan Hutan Mangrove

Hidden in the heart of Denpasar city, the Mangrove Forest is a green oasis that offers a respite from the city's hustle and bustle. As its name suggests, this forest is a dense thicket consisting of mangroves, providing a habitat for various types of flora and fauna. The forest is open to visitors, who can walk along winding wooden paths amidst the trees, allowing them to explore stunning scenery up close.

Mangrove forests are unique ecosystems that grow in the intertidal zones along the coast of tropical and subtropical regions. These forests play a vital role in maintaining the health of coastal ecosystems and protecting them from erosion. Mangroves themselves are a type of tree that has adapted to the harsh and ever-changing conditions of the intertidal zone. Their roots grow above the ground to form a dense network, helping to keep the trees in place and providing a habitat for various types of marine animals.

The Mangrove Forest in Denpasar is the best example of this unique ecosystem. This forest is home to various types of plants and animals, including several types of mangroves, ferns, and orchids. Visitors to the forest can also see a wide variety of birds, including king prawns and seagulls, as well as monitor lizards and other reptiles.

One of the best ways to explore the Mangrove Forest is to walk the boardwalks that wind between the trees. This trail gives visitors an up-close view of the mangroves and a chance to see some of the animals that live in this forest. The trails are well maintained, and there are several lookout points along the way where visitors can stop and take in the stunning views.

Apart from walking, visitors to the Mangrove Forest can also go around by canoe or take a boat tour to explore the surrounding waters. This forest is located on the shores of the Bali Sea, and its waters are home to a wide variety of marine animals, including sea turtles and colorful fish.

The Mangrove Forest is a popular destination for nature lovers and a great place to escape the city noise. The forest is open daily from 8am to 6pm, and there is a small fee to enter. Visitors are advised to wear comfortable shoes and bring mosquito repellent, as this forest is home to various types of insects and other small creatures.

Pantai Tangtu

Tangtu Beach is located on Jalan Pucuk Bang, Banjar Tangtu, Kesiman Kertalangu Village, East Denpasar District, Denpasar City, Bali. It is easier to reach the location by taking the Ida Bagus Mantra Bypass Road. From this road, you will directly enter the beach gate.

There are several activities you can enjoy while on vacation at Tangtu Beach, such as swimming, fishing, sunbathing, or simply strolling and enjoying the beauty of the sea and the cool breeze. At the beach, there are Instagrammable photo spots made of recycled tree branches.

The wooden swing photo spot is very popular among locals and tourists for taking photos. You may have to wait in line to get the best angle for your photo. There is also a letter sculpture made of a row of tree branches that serves as a favorite spot for tourists to take pictures.

The waves at Tangtu Beach in Denpasar are not too big, and not far from the beach, you can see the estuary of the Ayung River flowing into the sea. The cool sea breeze is perfect to accompany your various activities at this beach.

The best time to visit Tangtu Beach is in the morning and late afternoon, where you can witness the beauty of the sunrise and sunset. Many locals or tourists who live around the beach usually go jogging or simply take a walk in the morning or evening.

At this beach, you can also see the Campuhan Segara Windu Temple and the meeting point of the Ayung River called "campuhan". Therefore, many locals or tourists come to "cleanse" their misfortunes or illnesses.

Maospahit Temple

At first, this temple was built by a legendary Balinese figure, his name is Sri Kebo Iwa. He is known as an expert in the field of Balinese buildings. In the Babad Wongayah Dalem which is seen as the Maospahit Temple Inscription, it is explained about the journey of Sri Kebo Iwa teaching and leading the community to build the temple.

Sri Kebo Iwa built the Rasas Maospahit Temple in 1200 Saka (1278 AD). The so-called Rasa Maospahit Temple is a red brick building shrine which is quite large and unique with two ancient pottery statues flanking the door. The temple faces west on the Main Mandala of Maospahit Temple.

It seems that the contents of the Babad above are true. Because now we can see that there are two main shrines in the Main Mandala of Maospahit Temple. The pelinggih is in the form of a gedong. The red brick building with a palm fiber roof facing west is called the Raras Maospahit Temple. Meanwhile, its twin facing south is called Candi Raras Majapahit. In front, a little to the south, the Cultural Studio is lined up. Meanwhile, the twin salu is in the area to the east of the main mandala of Pengengker Maospahit Temple.

Jro Mangku Gede explained that those who were most glorified during prayers at the main mandala were Ratu Ayu Mas Maospahit who was enshrined in the Raras Maospahit Temple and Ida Bhatara Lingsir Sakti who was enshrined in the Raras Majapahit Temple. Pujawali to glorify Ratu Ayu Mas Maospahit falls on the Jyesta Full Moon day, while Pujawali to glorify Ida Bhatara Lingsir Sakti falls on the Full Moon Kalima.

The phrase Candi Raras means a beautiful temple and architecturally this old temple is indeed antique, although now the red bricks are starting to rot and many of the ancient bowls attached to the body of the Raras Majapahit Temple have been lost. The word "maospahit" means the same as the word "majapahit". The quoted Babad text clearly says that the gedong which was built under the name Raras Majapahit Temple was based on the size of the gedong or temple in the Majapahit kingdom. Its function is described as a panyawangan sacred building to connect oneself with gods or ancestral spirits who are far away, namely Majapahit. 

The Gods who are worshiped can be used as an indicator of the religion that the king and/or the community adheres to. Jro Mangku Gede confirmed this. That the Gods worshiped at the Maospahit temple are actually Gods who are the center of the religious orientation adhered to by the King of Majapahit. However, in the context of respect for the Balinese tradition, God is worshiped with the title Ida Bhatara Lingsir. He is the purusa 'man' with the character of 'sun'. On the other hand, Ratu Mas Maospahit is a Chandra (moon) 'female' Predana.

As meant in the Chronicle, the King of the Kingdom of Bandana (Badung) feels incomplete and irrational if he only worships God as Pradana 'Mother'. In order to be complete and rational, it is also better to worship as Purusa 'Father'. The concept of rwa bhineda 'binary opposition' has indeed been the essence of the wisdom of the Balinese people since ancient times. Therefore he ordered the construction of the Raras Majapahit Temple to accompany the Raras Maospahit Temple which had been built by Sri Kebo Iwa previously.

In line with that, Jro Mangku Pun emphasized his stance that Bhatara Lingsir and Ida Ayu were Sang Hyang Ardanareswari 'two single gods'. He is a religious taksu' magician of the Badung kingdom. God as Bhatara Lingsir Sakti is believed to have the task of bestowing kadiatmikan 'spiritual enlightenment' to the king and the Badung people who are devoted to him. On the other hand, God as Ratu Ayu Mas Maospahit is believed to be the bearer of the task of bestowing wisdom.

'Ability to be able to work professionally and with dignity' so that the kingdom becomes safe and prosperous. Mangku believes that this is what happened to the ancestors who were the pangrajeg "responsible" for the Maospahit Temple and the Bandana kingdom.

Given that, the existence of Maospahit Temple is very important for the successors of the Bandana kingdom, especially the Puri Pemecutan and Puri Satriya (Satria) families.

This temple seems not solely to worship the Ista Dewata, but also to glorify the ancestors, especially the king's ancestors. Ida Bhatara Lingsir, is also a title to honor the male ancestor of the Majapahit kingdom. Preferably, Ratu Ayu Maospahit, may also be a title to honor the female ancestors of the Majapahit kingdom. Including to glorify Sri Kebo Iwa for his services. Hindus believe that the ancestors are jan bangul 'puja delivery' to be able to connect with the Gods who are worshiped. Without the blessing of the ancestors, worship of God is seen as flawed. The ancestor, because of his good deeds after he passed away, through the Sradha or Ngaben and Mamukur rituals, his spirit was enshrined and believed to be able to become one with the Ista Dewata he worships. The Maharsi taught: "Pitra Dewa Bhawa" 'Ancestors are the embodiment of God'.

Jro Mangku explained that the area of the temple is around 70-80 acres (not yet measured). The chosen temple of the five mandalas. The first mandala is in front of a gate called Candi Kusuma facing Jalan Sutomo. Like the other Kori Agung gates, the Kusuma temple's door was not wide. Inside the front mandala are the Twin Salu, the majestic and tall Bale Kulkul, the Pelinggih Ratu Ngurah Pengasasan, and the Piasan. On the west side of Penyengker, in the south corner, there is a tall, sturdy gate facing west. Its name is Rengat Temple. This gate serves as a path to mandala two.

The second mandala, which is in the south of the temple, used to be quite large. However, now there is only an alley two meters wide that leads to the next gate which is west of the South Pengengker Temple. Going down this alley, some distance to the west, there is a Candi Bentar, which is also sturdy and has a magnificent red brick arch. The name Rebah Temple. This third mandala, also called Jaba Sisi. There are a number of distinctive buildings here. Among these are the Kompargih Ratu Cede Kobar Api, Bale Pesandekan, Bale Cede, Bale Sakaulu, Parerepan, Pawaregan, Pelinggih Bhatara Wisnu, and Sumur. There is also a large Soka and Nyambu Rata tree shading this mandala which makes the temple cool and seems haunted. The main function of this mandala is as a kitchen for ‘offerings’, a public kitchen, and a ‘resting place’.

To the east of this mandala is the Bentar Temple, a red brick with a wide door, which is also sturdy and unique. At Candi Bentar in the northern hemisphere, there is a large relief (a statue attached) of Bima wrapped around two dragons. Her name is Queen Ngurah Bayu. Lined up on the north side of the temple wall are statues of Dewa Yama, Indra and Sangkara. On the other hand, on the southern side of the temple, there is a large statue of Garuda bird carrying Sangku Amerta, a pot of water of life. Her name is Ratu Ngurah Paksi. Lined up to the south are statues of Dewa Kuwera and Baruna. This unique statue is of course of particular interest to archaeologists.

The sacred statues accompanying Ratu Ngurah Bayu and Ratu Ngurah Paksi are five gods called Sanghyang Panca Korsika. They are the guardian gods of Qibla. Its existence is believed to be the one who bestows the grace of supernatural protection so that the sanctity of the temple and Hindus who carry out religious activities in the temple are safe from various forms of disturbance that are unfavorable. Meanwhile, RatuNgurah Bayu and RatuNgurah Paksi are also believed to have a protective function.

 By crossing this Bentar Temple, we are invited to enter the fourth mandala which is called Jaba Tengah. This mandala is also quite wide. There are a number of sacred buildings here, namely the Pesucian Bale, the Tajuk Bale, and the Sumanggen Bale. In this mandala there is a Sawo Kecik tree, which is quite lush. This mandala is of course for the wall of 'sacred art', especially when there is a ceremony at this temple.

In the eastern part of this mandala, there is a stumpy, unique, and tall Kori Agung. By going through this Kori Agung, we will arrive at the main mandala which is called Jeroan. Here there are quite a number of sacred buildings. This is where the Raras Maospait Temple and the Raras Majapahit Temple which were discussed earlier stood. Other sacred buildings that are no less unique are the Bale Pangayunan, Bale Taksu, and a number of Kabuyutan palinggih. Ratu Hyang Agung's palinggih, Piasan, and several Kabuyutan palinggih. In certain parts of this mandala, Japanese trees grow which look quite old, eucalyptus, nutmeg Jiwa and other ornamental trees add to the ancient image of the Maospait Temple.

The antiquity and splendor of Dang Kahyangan Maospait is historical evidence of the existence of King Bandana of the Kingdom of Badung. The king's ideals and blessing, the involvement of community leaders together with the community to build and serve at the Maospahit Temple used to be a sign that the temple was the center of royal orientation. Temple is a form of religion adopted by the kingdom. Ista Dewata who is worshiped in the temple is the spirit or royal prestige.