Pasar Kreneng

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Pasar Kreneng Denpasar, established in 1983, is the oldest traditional market in the area. Spanning three floors, it houses approximately 805 permanent traders and 211 street vendors. Its name, Kreneng, originates from its location. During the morning, Pasar Kreneng Denpasar offers a wide range of daily necessities, but the scene transforms in the evening. Pasar Kreneng specifically caters to tourists seeking to indulge in the culinary delights of Bali and the surrounding archipelago.

Operating daily from early morning until evening, Pasar Kreneng provides two distinct experiences: the morning market and the night market (Pasar Senggol). Around 3 PM, the morning market gradually transitions into the night market as vendors arrive and set up their stalls. By 4 PM, the market is fully operational, serving customers with a variety of goods. For a modest price of approximately Rp 20,000, visitors can savor Lawar Bali, a local dish consisting of seasoned minced pork and vegetables. This delicacy is commonly available at Pasar Kreneng, particularly during the Pasar Senggol night market.

Bali People's Freedom Monument (Bajra Sandhi)

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Bali People's Freedom Monument or well known as Monumen Bajra Sandhi, located in the heart of Denpasar, the capital city of Bali, stands as a powerful testament to the island's rich cultural heritage and indomitable spirit. This magnificent monument, also known as the Bajra Sandhi Monument, serves as a symbolic reminder of Bali's historical struggles and its resilience in the face of adversity. With its stunning architecture and captivating exhibitions, Bajra Sandhi Monument has become a popular landmark that attracts tourists and locals alike.

The monument's architecture is inspired by the Balinese concept of "mandala," symbolizing the universe and harmonious balance. Designed by Bali's renowned architect, Ida Bagus Gede Yadnya, the structure stands tall at 45 meters, consisting of three levels. Each level represents different stages of Balinese history, with various dioramas, displays, and interactive exhibits providing visitors with a deeper understanding of the island's past.

The Ground Level: The first level of the monument offers insights into Bali's prehistoric era, showcasing dioramas depicting early Balinese settlements, farming practices, and cultural traditions. Visitors can learn about the island's indigenous communities and their harmonious relationship with nature.

The Second Level: Moving up to the second level, visitors are introduced to Bali's ancient kingdoms and their contributions to the island's cultural, artistic, and religious heritage. Intricately carved statues and exhibits reveal the historical and mythological tales that have shaped Balinese society.

The Third Level: The final level of Bajra Sandhi Monument depicts the modern era, highlighting Bali's struggle for independence from colonial rule and its evolution as a vibrant tourist destination. This section pays tribute to the brave individuals who fought for Bali's sovereignty and showcases the island's economic development.

Bajra Sandhi Monument offers visitors a comprehensive and immersive experience through its engaging exhibitions and activities. Apart from the permanent displays, the monument hosts cultural events, art exhibitions, and traditional performances, allowing visitors to witness the living traditions of Bali.

Additionally, the monument's spacious outdoor area serves as a popular gathering place for local communities, who often come together to practice traditional dances, music, and other cultural activities. The serene surrounding gardens provide a peaceful ambiance where visitors can relax and appreciate the beauty of their surroundings.

Bajra Sandhi Monument plays an important role in preserving and promoting Bali's cultural heritage. This monument serves as an educational center, enlightening both locals and tourists about the island's history, values, and traditions. By showcasing the struggles and victories of the Balinese people, the monument fosters a sense of pride and identity among the local community while enhancing cross-cultural understanding.

Bajra Sandhi Monument stands tall as a symbol of Bali's resilience, cultural richness, and commitment to preserving its heritage. This awe-inspiring monument provides a captivating journey through the island's history, offering visitors a deeper appreciation for Bali's vibrant culture and its people's indomitable spirit. As a must-visit destination in Bali, Bajra Sandhi Monument offers an enriching experience that celebrates the island's past, present, and future.

Catur Muka Statue

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The Catur Muka Statue was erected in 1973 by I Gusti Nyoman Lempad, an artist from Ubud. This nine-meter-tall granite statue faces the four cardinal directions: west, east, north, and south. The statue is accompanied by dancing fountains that display colorful rainbow-like patterns when viewed at night.

True to its name, the Catur Muka Statue has four faces, each facing Jalan Surapati, Jalan Udayana, Jalan Veteran, and Jalan Gajah Mada. The statue represents the deity Brahma, with each face depicting a different aspect.

The east-facing face is called Sanghyang Iswara, representing wisdom. The west-facing face is called Sanghyang Mahadewa, representing compassion.

The north-facing face is called Sanghyang Wisnu, representing strength and the purification of the human soul. The south-facing face is called Sanghyang Brahma, representing the preservation of tranquility.

Museum Lukisan Sidik Jari

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The fingerprint painting museum in Denpasar is quite different from other museums in Bali. The museum is open from Monday to Saturday and closed on Sundays. The operating hours are from 08:00 to 16:00. On average, visitors spend approximately 2 hours in the painting gallery.

The museum's location is at Jalan Hayam Wuruk No. 175, Tanjung Bungkak, Denpasar, Bali. If you're coming from Ngurah Rai Airport, it will take around 40 minutes to reach the museum. The distance is only 15 km from Ngurah Rai Airport, but due to traffic congestion in Denpasar, travel time may be longer.

When we think of a museum, we usually imagine a place that houses collections of ancient artifacts or prehistoric relics, such as stones, sculptures, paintings, or antiques. However, the fingerprint painting museum in Denpasar is quite different from that. It offers a unique experience.

Lain halnya dengan museum sidik jari Denpasar dan sangat berbeda dengan museum yang lain di Bali. Museum lukisan buka dari hari Senin – Sabtu, hari Minggu tutup. Jam buka museum lukisan sidik jari dari jam, 08:00 – 16:00. Rata-rata waktu yang dihabiskan pengunjung saat berada di gallery lukisan, kurang lebih 2 jam.

The museum's location is at Jalan Hayam Wuruk No. 175, Tanjung Bungkak, Denpasar, Bali. If you're coming from Ngurah Rai Airport, it will take around 40 minutes to reach the museum. The distance is only 15 km from Ngurah Rai Airport, but due to traffic congestion in Denpasar, travel time may be longer.

The museum was established in 1993 and officially inaugurated in July 1995, two years later. The idea and ownership of the fingerprint painting museum belong to Mr. Gede Ngurah Rai Pemecutan. The name of the museum, "Museum Sidik Jari" (Fingerprint Museum), holds its own philosophy related to the painting technique used. The method involves the artist applying various colors of paint using their fingertips, according to their imagination. Since the paintings are done using fingers instead of brushes, they leave behind fingerprint marks. Hence, the technique is called "fingerprint painting."

The history of using fingers for painting began with a failed attempt to complete a Baris dance painting. Mr. Gede Ngurah decided to fix the painting not with a brush but by rubbing his hands with paint and then applying the colors onto the Baris dance painting using his fingers. After the Baris dance painting was successfully repaired, it turned out to be remarkably beautiful with the fingerprint strokes from the artist. Those familiar with the art of painting can appreciate its beauty. Setelah lukisan tari Baris selesai diperbaiki, ternyata lukisan tari Baris tampak sangat indah dengan goresan sidik jari dari pelukisnya. Tentunya yang mengetahui seni lukis akan mengetahui letak keindahannya.

Museum 3D (I am Bali)

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Located in Denpasar, this newly opened tourist and recreational spot offers a variety of affordable and budget-friendly 3D paintings. If you're planning a vacation in Bali, consider adding it to your tour itinerary.

Known as the 3D Interactive Art Museum (I AM) or Museum I Am Bali, this museum is strategically situated in the heart of Denpasar. It can be a great addition to your city tour in Bali.

The museum is situated on the ground floor of the Bajra Sandhi Monument on Puputan Niti Mandala Renon Street. The Bajra Sandhi Monument itself is a popular tourist attraction in Denpasar, standing proudly in the middle of a green field where locals relax and participate in light sports activities. It is also well-known as a car-free zone on Sundays.

With approximately 102 paintings on display, the museum showcases a wide range of themes, including famous personalities, animals, cartoons, fantasy, natural landscapes, and even elements of local culture like ogoh-ogoh.

I Am Bali Denpasar offers a unique experience for family vacations, allowing you to immerse yourself in three-dimensional paintings. You'll have the opportunity to choose from various types of paintings exhibited.

The museum features an upside-down room with special effects that create a sensational visual experience, making you feel as though you're defying gravity in an inverted space. Additionally, there are rooms that create illusions, spooky atmospheres, and even a magical board (tilted skateboard) that are sure to captivate your interest. All of these attractions guarantee an enjoyable visit to Denpasar.

The 3D Interactive Art Museum (I AM) Bali boasts an attractive and modern design, creating a pleasant and comfortable atmosphere. To enter the museum, visitors are required to remove their footwear to maintain cleanliness and prevent damage to the floors and paintings. Socks are recommended (or available for purchase on-site) to keep your feet clean. If you enjoy taking selfies, this museum is an ideal place to capture photos for your Instagram collection.

Inside the museum, you'll find helpful staff members who can assist you in finding the best angles and taking memorable pictures. The rooms are air-conditioned and provide examples of how to capture photos, suggesting angles and positions. A visit to this 3D museum in Denpasar will undoubtedly offer an enjoyable and exciting vacation experience.

Le Mayeur Museum

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The name of the Le Mayeur Museum is taken from the name of its founder, Adrien Jean Le Mayeur De Merpres. He was a Belgian painter born on February 9, 1880, in Ixelles, Brussels. Despite holding an academic degree in building engineering, Le Mayeur was more passionate about the world of art, likely influenced by his father, who was also a painter. He honed his painting skills under the guidance of Ernest Blanc Garin and eventually embarked on a journey around the world. He traveled to Italy, France, Tunisia, Morocco, Algeria, Thailand, India, Cambodia, and finally arrived in Bali in 1932, docking at the port of Buleleng, with Singaraja being the first city he visited.

Adrien Jean Le Mayeur De Merpres continued his journey to Denpasar and rented a house in Banjar Kelandis, Denpasar. It was here that he first met Ni Nyoman Pollok, a young and beautiful Legong dancer. He used her as a model for his paintings during an exhibition in Singapore in 1933, which was a great success and made Le Mayeur famous. Three years later, in 1935, they married in a traditional Balinese wedding ceremony. They eventually built a house on the shores of Sanur, on a land measuring 32 acres, which also served as his painting studio.

Having a background in architectural building, Le Mayeur was able to design his house, combining Balinese ornaments crafted by Ida Bagus Made Mas. The proceeds from selling his paintings were used to embellish the house, and the best paintings were kept as his personal collection. In 1956, the Minister of Education and Culture, Bahder Djohan, visited Le Mayeur's house, impressed by the collection and the quality of his personal paintings. He then proposed the idea of turning the house into a museum, which was warmly welcomed by Le Mayeur. He continued to work to add and enhance the quality of his paintings.

Initially, Le Mayeur planned to stay in Bali for only 8 months, but he ended up living there for 26 years. They were separated when Le Mayeur passed away on July 18, 1958, at the age of 78, due to severe ear cancer. His dream of establishing a museum had come true. Le Mayeur was buried in Ixelles/Elsene, Brussels. After Le Mayeur's passing, the museum, land, and house were inherited by Ni Pollok, and she took over the management of the museum. During its heyday, not only Minister Bahder Djohan visited Le Mayeur's house, but also President Sukarno and Prime Minister of India Jawaharlal Nehru.

The couple themselves did not have children because Le Mayeur did not allow Ni Pollok to have offspring. As his painting model, he feared that pregnancy would alter her ideal physique. Ni Pollok eventually handed over what her husband had bequeathed to the Indonesian government and dedicated it as a museum. Ni Nyoman Pollok herself passed away on July 27, 1985, at the age of 68.

The Bali architectural building is now also transformed into a museum. The physical condition of the building is quite old, but it stands as a silent witness to the lives of the couple. You can still witness it today. The theme of Andrien Jean Le Mayeur De Merpres' paintings is impressionism, with the majority depicting bare-chested Balinese women, and Ni Pollok herself being his main model. Other themes include expressions of culture and the beauty of nature. The Le Mayeur Museum houses around 88 paintings, divided into various types based on the medium used, including 28 canvas paintings, 25 hardboard paintings, 22 bagor paintings, and even some made on plywood and paper, indicating the difficulty of obtaining painting materials during the Japanese occupation in Indonesia.

Some of the famous paintings include "Pollok" which features Ni Pollok as the sole model. This painting was created in 1957 and is incredibly beautiful and bold. There are also paintings titled "Picking Flowers" and "Around Pollok's House." The stories behind the creation of these paintings mention that the model had to endure hours of sunbathing under the scorching sun without moving or complaining, despite the majority of the maestro's paintings featuring bare-chested subjects. The artist's works include not only oil paintings but also watercolors and even pencil drawings. In addition to canvas, he used fine straw mats, plywood, and paper as media, as obtaining materials from Belgium was difficult during the Japanese occupation.

Upon entering the Le Mayeur Museum, visitors are greeted by the beauty of the garden within the museum area. Several remnants of Le Mayeur's buildings, including carved ornaments on the walls, are still clearly visible. However, the buildings have aged, and the walls appear a bit weathered. Some old furniture, belonging to the painter, is placed in the corners of the rooms but seems to be lacking proper maintenance. Wooden carvings are placed as room dividers. The paintings by the legendary artist are displayed and protected in glass frames to prevent visitors from touching them.

Historical furniture and artifacts from Le Mayeur's era can still be found in the museum rooms, such as carved tables, cabinets, beds, mattresses, wardrobes, ceramics, flower vases, statues, jugs, and books owned by Le Mayeur. To the north of the museum building, a monument of the couple, Le Mayeur and Ni Pollok, is erected. Behind or to the west of the museum building, the Pollok and Le Mayeur Beach Front Hotel was built.

Museum Bali

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Museum Bali, also known as the Museum of the Technical Implementation Unit of the Bali Cultural Office, is a national museum situated in Denpasar, Bali. It serves as a repository for historical and ethnographic artifacts, showcasing a diverse collection that reflects Bali's past cultural and societal development. The museum's exhibits feature a wide range of ethnographic objects, including tools, household items, artwork, religious artifacts, written materials, and more.

The establishment of Museum Bali was initially proposed by architect W.F.J. Kroon in 1910, during his tenure as the Assistant Resident of South Bali. The construction of the main building, Gedung Arca, began in the same year with the support of local kings from Buleleng, Tabanan, Badung, and Karangasem. Over time, the museum's collection expanded under the leadership of W.F. Sttuterhim, the head of the archaeological department, who focused on acquiring ethnographic artifacts.

In 1932, a foundation was formed to oversee the museum's management and development. The foundation, chaired by H.R. Ha'ak and consisting of prominent individuals such as G.J. Grader, G.M. Hendrikss, R. Goris, I Gusti Ngurah Alit (King of Badung), I Gusti Bagus Negara, and Walter Spies, played a vital role in the museum's operations. On December 8, 1932, the Museum Bali was officially opened to the public, with permanent exhibitions held in the Tabanan, Karangasem, and Buleleng Buildings, featuring prehistoric, historical, and ethnographic artifacts, including fine art.

During its history, the museum underwent several administrative changes. It was taken over by the provincial government of Bali, but due to the challenging circumstances surrounding the war, it was later transferred to the central government under the Ministry of Education and Culture in 1965. The museum then became known as the Provincial State Museum of Bali. Subsequently, in 2000, with the implementation of regional autonomy, the museum was once again transferred back to the Provincial Government of Bali and became one of the Technical Implementation Units of the Bali Cultural Office, known as the Museum Bali UPTD.

The museum's architecture features the distinctive style of Denpasar's royal palaces, with elaborate exterior walls, a courtyard, and an impressive entrance gate. Within the museum complex, there are four pavilions representing different regencies in Bali. The Tabanan Pavilion, located in the northern section, showcases collections of dance equipment, including costumes, masks, shadow puppets (wayang kulit), and traditional Balinese daggers (keris) used in the Calonarang dance, as well as ancient statues. The Museum Bali UPTD also houses collections in various fields, such as biology, ethnography, archaeology, history, numismatics, philology, ceramics, and fine art.

The central pavilion, the Buleleng Pavilion, is designed in the style of temples found in North Bali and displays Bali's traditional clothing collection, including the iconic Balinese fan.

The last pavilion, the Badung Pavilion, is located near the main entrance, close to the towering bale kulkul (traditional instrument for summoning villagers), and houses various prehistoric collections. In this pavilion, you can see tools used by humans during hunting and farming periods, cultivation periods, and the metal period. The upper floor of this pavilion displays Balinese fine art collections. The Museum Bali is a great place to learn more about Bali.

The Museum Bali is located in a strategic location in the center of Denpasar city, specifically on Mayor Wisnu Street. To the south of the museum is Pura Jagatnatha, while the Puputan Badung Square and the Four-Faced Statue (Catur Muka Statue) are located in front of the Museum Bali. If you are using motorized transportation, it takes approximately 45 minutes to travel the approximately 13 km distance from Ngurah Rai Airport to the Museum Bali.

Great Jro Kuta Palace

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Puri Agung Jro Kuta was founded by Dewa Gede Jambe Badung, approximately in the year 1820 AD. After the Abiseka ceremony as the pejejengan (spiritual leader) of the palace, he was given the title Kyai Agung Gede Jro Kuta Kahunin.

The royal family of Puri Agung Jro Kuta is a direct descendant of Puri Klungkung, specifically Dewa Agung Kusamba, who was the King of Klungkung.

In terms of history, especially in the pitra yadnya ceremony and pengabenan (cremation ceremony) at Puri Agung Jro Kuta, the Naga Banda tool is used. Naga Banda is used because it is a direct descendant of the King of Klungkung (Satria Dalem) who has undergone the Mabiseka Ratyu (coronation) ceremony, which means ascending the throne as the king.

Until today, the layout or zoning of Puri Agung Jro Kuta is still arranged as it was in the past. Upon entering the courtyard of Puri Agung Jro Kuta, there are four kori agung (grand gates). In the terminology of the ancient kingdom, these are referred to as Nyatur Singa, which signifies four different locations within one area.

The first courtyard is Jaba Ancak Saji, located in the southwest of the palace, which is usually used for preparations before entering the palace. It is followed by Jaba Tengah, Jaba Tandeg, Saren Agung (the king's living room), Suci, and the last one is Merajan Agung, which serves as a place of worship for the Supreme God.

As a historical note, Puri Agung Jro Kuta is the custodian of Pura Luhur Uluwatu, one of the Sad Kahyangan temples in Bali, located in the village of Pecatu, Badung Regency.

Another aspect of Puri Agung Jro Kuta is the tradition of weaving. This craft is still preserved at Puri Agung Jro Kuta. Although the production is far behind that of industrial textile machines and modern techniques, this traditional heritage is still upheld. Traditional woven fabrics for yadnya ceremonies are still highly sought after by the community.

Preserving local culture and wisdom is the characteristic of Puri Agung Jro Kuta. The artisans still use traditional wooden weaving tools that are decades old.

The strength of culture and the commitment to preserving traditions are important efforts in conserving the diversity of the Island of the Gods. The existence of Puri Agung Jro Kuta as one of the central points of the ancient kingdom should be continuously preserved.

Taman Budaya (Art Center)

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Bali Art Center Denpasar, also known as Taman Budaya Bali, is a complex dedicated to the preservation and development of Balinese culture and the center for arts in Bali. It was initiated by the first governor, Ida Bagus Mantra, who was deeply concerned about cultural values.

Bali Art Center Denpasar, also known as Taman Budaya Bali, is a complex dedicated to the preservation and development of Balinese culture and the center for arts in Bali. It was initiated by the first governor, Ida Bagus Mantra, who was deeply concerned about cultural values.

The complex of Bali Art Center Denpasar covers an area of approximately 5 hectares. With traditional Balinese architecture, the buildings here are sturdy and beautiful. The well-maintained gardens and an adjacent river add to the charm of the park.

The buildings within the Bali Art Center Denpasar are divided into several sections. The sacred complex includes Pura Taman Beji, Bale Selonding, Bale Pepaosan, and others. Then there is a tranquil complex, which includes the Widya Kusuma Library, a place that houses books about Balinese history.

The semi-crowded complex comprises the Sculpture Studio, Mahudara Exhibition Hall, Kriya Building, Art House, and Wantilan, which are exhibition venues for Balinese art. Lastly, the lively complex includes the open-air stage Ardha Candra and the covered stage Ksirarnawa, both located south of the river.

One of the annual events regularly held at the Bali Art Center Denpasar is the Bali Arts Festival, or Pesta Kesenian Bali (PKB). It usually takes place in mid-June to July, coinciding with school holidays. So, you can make use of your vacation time to enjoy the excitement of the Bali Arts Festival.

During the PKB event, there are various art performances held every day. You can witness a variety of performances such as Joged Bungbung, Tari Bondres, new creations, wayang (shadow puppetry), gamelan music, and much more, depending on the artistic representatives from each district in Bali. Not only from Bali, but there are also representatives from other regions and even foreign countries.

In addition to the art performances, there are various art exhibitions showcasing sculptures, paintings, batik fabrics, gold and silver crafts, as well as various local crafts and wisdom at affordable and reasonable prices.

You can experience a variety of excitement at the Bali Art Center. For those who want to enjoy the various arts, there is no admission fee.

If you're interested in visiting the Bali Art Center Denpasar, you can go directly to its location on Jalan Nusa Indah, Denpasar, Bali, right in the center of the city. It is easily accessible from the Kuta, Sanur, and Tanjung Benoa areas. If you're coming from Ngurah Rai Airport, the journey will take approximately 45 minutes to 1 hour.

Pura Dalem Cemara

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The background of the establishment of Pura Dalem Cemara cannot be found in written sources, but the stories of the local community as caretakers and supporters of the temple can be used as one of the narratives to recount the existence of this temple. pangempon dan penyungsung pura dapat digunakan sebagai salah satu narasi dalam menceritakan keberadaan pura ini.

According to the temple's caretaker, Jero Mangku Made Sukanadia, in the past, the attacking community consisted of fishermen who crossed the bay around Tanjung Benoa. They came from various places such as Pamogan, Suwung, Kepaon, Kelan, Pago, Panjer, Dukuh, Pedungan, Intaran, Cemenggon, and Batusasih (Batubulan). pemangku pura, Jero Mangku Made Sukanadia dahulu masyarakat serangan merupakan nelayan-nelayan yang melintasi teluk di sekitaran Tanjung Benoa. Mereka datang dari, misalnya, sekitar Pamogan, Suwung, Kepaon, Kelan, Pago, Panjer, Dukuh, Pedungan, Intaran, Cemenggon, Batusasih (Batubulan).

Structurally, Pura Dalem Cemara faces west and is divided into three courtyards. These are the inner courtyard (utama mandala/jeroan), middle courtyard (madya mandala), and outer courtyard (nista mandala/jabaan).utama mandala/jeroan), halaman tengah (madya mandala), dan halaman luar (nista mandala/jabaan).

The inner and middle courtyards are enclosed by surrounding walls made of limestone or known as "paras tombong." The outer courtyard is connected to the middle courtyard through a split gate known as "paduraksa" in the form of a split temple gate (candi bentar). The middle courtyard is connected to the inner courtyard through a paduraksa in the form of a curved temple gate (candi kurung or kori agung). paras tombong, halaman luar dengan halaman tengah dihubungkan dengan paduraksa berupa candi bentar, sedangkan halaman tengah dengan halaman dalam dihubungkan dengan paduraksa berupa candi kurung (kori agung).

The inner courtyard (utama mandala/jeroan) houses buildings and statues such as Candi Prasada as Gedong Ratu Agung, Palinggih Tajuk, Gedong Bhatara Dalem Kahyangan, Gedong Bhatara Lamun, Piyasan, Gedong Bahatara Ratu Pemade, Bale Papelik, Gedong Bahatara Ratu Singosari, Palinggih Batur, Meru Bhatara Ratu Pasek, Tugu Kepah Kembar, Gedong Bhatara Ratu Hyang Gelar, Bale Pengaruman, Linggih Ratu Ayu, Palinggih Hyang Ibu, Gedong Bhatara Ratu Apuan, and Palinggih Ratu Sawo.utama mandala/jeroan) di dalamnya berdiri bangunan maupun arca  seperti Candi Prasada sebagai Gedong Ratu Agung, Palinggih Tajuk, Gedong Bhatara Dalem Kahyangan, Gedong Bhatara Lamun, Piyasan, Gedong Bahatara Ratu Pemade, Bale Papelik, Gedong Bahatara Ratu Singosari, Palinggih Batur, Meru Bhatara Ratu Pasek, Tugu Kepah Kembar, Gedong Bhatara Ratu Hyang Gelar, Bale Pengaruman, Linggih Ratu Ayu, Palinggih Hyang Ibu, Gedong Bhatara Ratu Apuanwhen Palinggih Ratu Sawo.

In the middle courtyard (madya mandala), there are also buildings such as Palinggih Arca Prakangge, Bale Kulkul, Bale Gong, Perantenan, and Palinggih Arca Taman. The outer courtyard (nista mandala/jabaan) on the west side consists of a road without surrounding walls.madya mandala) terdapat juga bangunan seperti Palinggih Arca Prakangge, Bale Kulkul, Bale Gong, Perantenanwhen Palinggih Arca Taman. Halaman luar (nista mandala/jabaan) yang berada di sisi barat merupakan jalan, tanpa dikelilingi tembok.

Pura Dalem Cemara is part of the "pura kahyangan tiga" or the temples of the three kahyangan, which are connected by a unified territory and were previously known as Pura Desa, Puseh, and Dalem. Currently, this temple is part of the pura kahyangan tiga as the abode of Lord Vishnu, the preserver deity. This is further strengthened by the presence of Pura Segara on the north side of Pura Dalem Cemara, which shares the same water symbol as the manifestation of Lord Vishnu. The piodalan ceremony in Pura Dalem Cemara is held every 210 days, specifically on Buda (Wednesday) Kliwon, Wuku Sinta (Pagerwesi day). kahyangan tiga atau pemujanya terikat oleh kesatuan wilayah dan dulu sebagai Pura Desa, Puseh, Dalem. Sekarang, pura ini merupakan bagian dari pura kahyangan tiga sebagai bersthananya Dewa Wisnu, dewa pemelihara. Hal ini diperkuat dengan adanya Pura Segara di sisi utara Pura Dalem Cemara yang memiliki simbol air sama dengan manifestasi Dewa Wisnu. Upacara piodalan di Pura Dalem Cemara dilaksanakan setiap 210 hari, yaitu pada hari Buda (Rabu) Kliwon, Wuku Sinta (hari raya Pagerwesi).